VIJAY TENDULKAR AND MAHESH DATTANI'S SELECT PLAYS: VOICING THE MARGINALIZED

Authors

  • Preeti Sharma Jiwaji University Gwalior
  • Dr. J.P. Singh Associate Prof. Department of English, Dr. Bhagwant Sahai Govt. College, Gwalior M.P.

DOI:

https://doi.org/10.36676/irt.v10.i4.1523

Keywords:

Marginalization, feminism, Gender, women’s perspective

Abstract

The paper is an attempt to discuss how Mahesh Dattani and Vijay Tendulkar have highlighted the miseries of women folk in society. The cruelty inflicted on women exposes the intricate working of a patriarchal system that is instrumental in marginalizing them by giving them neither the rights nor access to resources. Dattani and Tendulkar, have written at different times and their canvass has been different but both have raised this issue through their plays. Both reflect on role change and rise of the feminine gender struggling with the dominant discourses of the system to gain the respect and a space of their own. Issues and problems associated especially with females- have been staged with the motive of changing the socio-cultural psyche conditioned by the dominant discourses.

References

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Tendulkar, Vijay. Collected Plays in Translation. Introduction by Samik Bandyopadhyay. New Delhi : OUP, 2003.

“Introduction.” Five plays of Vijay Tendulkar. Bombay:OUP, 1992. Print.

Chaudhuri, Asha Kuthari. Mahesh Dattani: An Introduction, Contemporary Indian Writers in English. New Delhi: Foundation Books, 2005. Print.

“Women Characters in the Plays of Vijay Tendulkar.” New Directions in Indian Drama. New Delhi: Prestige Books, 1994.Print.

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Published

2024-10-15
CITATION
DOI: 10.36676/irt.v10.i4.1523
Published: 2024-10-15

How to Cite

Preeti Sharma, & Dr. J.P. Singh. (2024). VIJAY TENDULKAR AND MAHESH DATTANI’S SELECT PLAYS: VOICING THE MARGINALIZED. Innovative Research Thoughts, 10(4), 25–31. https://doi.org/10.36676/irt.v10.i4.1523