A Comparative Content Analysis of Thappad and Pink: Exploring Patriarchy and Gender Dynamics in Contemporary Indian Cinema

Abstract

Indian cinema, particularly Bollywood, has long played a crucial role in reflecting and shaping societal values, including the entrenched norms of patriarchy and gender dynamics. This paper presents a comparative content analysis of two notable films, Thappad (2020) and Pink (2016), both of which boldly confront these issues. Directed by Anubhav Sinha, Thappad tells the story of Amrita, a woman who reassesses her marriage after her husband slaps her, highlighting the normalization of domestic violence and the silent endurance expected from women. In contrast, Pink, directed by Aniruddha Roy Chowdhury, follows three young women entangled in a legal battle after defending themselves against sexual assault. The film underscores the prejudices and moral judgments women face when they defy societal norms, with a strong emphasis on the importance of consent.

By examining the narratives, character development, and key dialogues of both films, this study aims to uncover how Thappad and Pink reflect and challenge patriarchal values in contemporary Indian society. The findings will contribute to a deeper understanding of the role of cinema as a medium of social commentary and its impact on the discourse surrounding gender equality. This analysis will also explore the diverse approaches these films take to similar themes, offering varied perspectives on combating patriarchal oppression and empowering women in Indian culture.